paget rhiannon hiroshige
Модель:
RUR 17053
A historic trail through the heart of Japan, as told by two legendary woodblock artists The Kisokaido route through Japan was ordained in the early 1600s by the country's then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838. Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists' distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it's the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki. Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This Taschen XXL edition revives the series with due scale and splendor. Sourced from the only-known set of a near-complete run of the first edition of the series, this legendary publication is reproduced in optimum quality, bound in the Japanese tradition and with uncut paper. A perfect companion piece to Taschen's One Hundred Famous Views of Edo, it is at once a visual delight and a major artifact from the bygone era of Imperial Japan.
Модель:
RUR 2594
The Old Man Mad about Painting. Hokusai, the master who unleashed a tsunami on the art world. Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh. Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions. Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world. This Taschen introduction spans the length and breadth of Hokusai's career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusai's subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through color and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.
Модель: Республика
RUR 2450
Hokusai, the master who unleashed a tsunami on the art worldMeet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e (pictures of the floating world) practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusais print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artists most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.This TASCHEN introduction spans the length and breadth of Hokusais career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusais subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through color and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.
Модель: Nonesuch Records
RUR 2400
Rhiannon Giddens With Francesco Turrisi - They're Calling Me Home. 1 CD. 1. Rhiannon Giddens - Calling Me Home - , 2. Rhiannon Giddens - Avalon - , 3. Rhiannon Giddens - Si Dolce E'l Tormento - , 4. Rhiannon Giddens - I Shall Not Be Moved - , 5. Rhiannon Giddens - Black As Crow - , 6. Rhiannon Giddens - O Death - , 7. Rhiannon Giddens - Niwel Goes to Town - , 8. Rhiannon Giddens - When I Was in My Prime - , 9. Rhiannon Giddens - Waterbound - , 10. Rhiannon Giddens - Bully for You - , 11. Rhiannon Giddens - Nenna Nenna - , 12. Rhiannon Giddens - Amazing Grace -
Модель: Next
RUR 5365
Бренд: NextЦвет: ecru hiroshige dragon
Модель:
RUR 3149
The Old Man Mad about Painting.Hokusai, the master who unleashed a tsunami on the art world.Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.
Модель:
RUR 3149
The Old Man Mad about Painting.Hokusai, the master who unleashed a tsunami on the art world.Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.
Модель:
RUR 2594
The master of Japanese ukiyo-e Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular woodblock print genre of art that flourished between the 17th and 19th centuries. Subjects ranged from the bright lights and attractions of Edo (modern-day Tokyo), to spectacular natural landscapes. In the West, Hiroshige’s prints became exemplary of the Japonisme that swept through Europe and defined the Western world’s visual idea of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, greeting cards, and book illustrations. The style influenced Impressionist, Post-Impressionist, and Art Nouveau artists alike, with Vincent van Gogh and James Abbott McNeill Whistler both particularly inspired by Hiroshige’s landscapes. This introductory book presents key images from Hiroshige’s vibrant, vivid portfolio of blooming cherry trees, beautiful women, Kabuki actors, and busy shopping streets to introduce one of the greats of Asian art history.
Модель:
RUR 3149
The master of Japanese ukiyo-eUtagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular woodblock print genre of art that flourished between the 17th and 19th centuries. Subjects ranged from the bright lights and attractions of Edo (modern-day Tokyo), to spectacular natural landscapes.In the West, Hiroshige’s prints became exemplary of the Japonisme that swept through Europe and defined the Western world’s visual idea of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, greeting cards, and book illustrations. The style influenced Impressionist, Post-Impressionist, and Art Nouveau artists alike, with Vincent van Gogh and James Abbott McNeill Whistler both particularly inspired by Hiroshige’s landscapes.This introductory book presents key images from Hiroshige’s vibrant, vivid portfolio of blooming cherry trees, beautiful women, Kabuki actors, and busy shopping streets to introduce one of the greats of Asian art history.
Модель:
RUR 3149
The master of Japanese ukiyo-eUtagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular woodblock print genre of art that flourished between the 17th and 19th centuries. Subjects ranged from the bright lights and attractions of Edo (modern-day Tokyo), to spectacular natural landscapes.In the West, Hiroshige’s prints became exemplary of the Japonisme that swept through Europe and defined the Western world’s visual idea of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, greeting cards, and book illustrations. The style influenced Impressionist, Post-Impressionist, and Art Nouveau artists alike, with Vincent van Gogh and James Abbott McNeill Whistler both particularly inspired by Hiroshige’s landscapes.This introductory book presents key images from Hiroshige’s vibrant, vivid portfolio of blooming cherry trees, beautiful women, Kabuki actors, and busy shopping streets to introduce one of the greats of Asian art history.
Модель: Республика
RUR 2250
Orient expressed: The master of Japanese ukiyo-e.Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world," ukiyo-e was a particular woodblock print genre of art that flourished between the 17th and 19th centuries. Subjects ranged from the bright lights and attractions of Edo (modern-day Tokyo), to spectacular natural landscapes.In the West, Hiroshige's prints became exemplary of the Japonisme that swept through Europe and defined the Western world's visual idea of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, greeting cards, and book illustrations. The style influenced Impressionist, Post-Impressionist and Art Nouveau artists alike, with Vincent van Gogh and James McNeill Whistler both particularly inspired by Hiroshige's landscapes.This introductory book presents key images from Hiroshige's vibrant, vivd portfolio of blooming cherry trees, beautiful women, kabuki actors, and busy shopping streets to introduce one of the greats of Asian art history.
Модель:
RUR 1049
Utagawa Hiroshige was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western worlds visual characterization of Japan. Though Hiroshige captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his most famous work was a series known as "100 Famous Views of Edo" (1856-1858). This book provides an introduction to his work and an overview of his career.
Модель:
RUR 524
Rhiannon Lewis has successfully fooled the world and framed her cheating fiance Craig for the depraved and bloody killing spree she committed. She should be ecstatic that she’s free.Except for one small problem. She’s pregnant with her ex lover’s child. The ex-lover she only recently chopped up and buried in her in-laws garden. And as much as Rhiannon wants to continue making her way through her kill lists, a small voice inside is trying to make her stop.But can a killer’s urges ever really be curbed. . . . . . . . . . . . . . . . . . . . . .
Модель:
RUR 524
Rhiannon Lewis has successfully fooled the world and framed her cheating fiance Craig for the depraved and bloody killing spree she committed. She should be ecstatic that she’s free.Except for one small problem. She’s pregnant with her ex lover’s child. The ex-lover she only recently chopped up and buried in her in-laws garden. And as much as Rhiannon wants to continue making her way through her kill lists, a small voice inside is trying to make her stop.But can a killer’s urges ever really be curbed. . . . . . . . . . . . . . . . . . . . . .
Модель:
RUR 524
Rhiannon Lewis has successfully fooled the world and framed her cheating fiance Craig for the depraved and bloody killing spree she committed. She should be ecstatic that she’s free.Except for one small problem. She’s pregnant with her ex lover’s child. The ex-lover she only recently chopped up and buried in her in-laws garden. And as much as Rhiannon wants to continue making her way through her kill lists, a small voice inside is trying to make her stop.But can a killer’s urges ever really be curbed......................